Info
Work
All
Selected Sculpture and Performance, 2021–present
1 - 2 pm, Pulitzer Arts Foundation, October 19, 2024
Notes In The Margins: Why I Don’t Talk About ‘The Body’, October 5, 2024, MCA Chicago
Tone Trio, Dia Art Foundation at the Chelsea Recreation Center, May 4, 2024
Equal Players, Transatlantique: Guy de Cointet, ER Publishing, edited by Rachel Valinsky, 2024
Gordon Hall: In Conversation, Cubitt Artists, London, April 27, 2024
Performing Lectures, Mindy Seu, Outland, 2024
Condition Report | The Legacy of Scott Burton, panel discussion, EXPO Chicago, 2024
Dance Talks: Gordon Hall with Millie Kapp and Matt Shalzi, February 28, 2024
Equal Players, Transatlantique: Guy de Cointet, ER Publishing, edited by Rachel Valinsky, 2024
Exhibit A, DOCUMENT, Chicago, 2024
Dialogues, Patron Gallery, Chicago, 2024
Lace Under Top Loop Once, Hua International, Berlin, 2023
Slow Burn, Stanton Taylor, Art Basel, 2023
FOUR_FOLD_UNDER, Artist Interview, Art Basel, 2023
FOUR_FOLD_UNDER, Art Basel, 2023
Re: Scott Burton's Atrium Furnishment / Organized by Darling Green with Soft Network, Soft Network, NY, 2023
Visiting Artist Lecture, Yale University Sculpture Department, 2023
Atlas of Affinities: Vol. 2, Scores for Movement, Hua International, Beijing, 2023
[Voicings], Artspace, New Haven, 2023
Playing with Knowledge: On Lecture Performances, Seita, Sophie, TDR, 2022
Behind Abstract Forms, Fragment Gallery, New York, 2023
In Conversation: Gordon Hall and B. Ingrid Olson, Carpenter Center for the Visual Arts, 2022
TURN BACK, DOCUMENT, Chicago, 2022
Stand Me Down, Istanbul, Turkey, 2022
Also your wound, Rosa, curated by Pelin Uran, Minerva Press 2022
DOCUMENT: Gordon Hall and Elizabeth Atterbury, Art Basel Miami Beach, 2022
Soft Machines, Hua International, Berlin, 2022
Dozie Kanu: 00 Magazine Magazine, 2022
SHAPESHIFT, Fridman Gallery, Beacon, NY, 2022
Cultivo, Marli Matsumoto Gallery, Sao Paulo, Brazil, 2022
Thing Theory–Sculpture Roundatable, Art in America, 2022
El Ensamble del Ocaso / The Sunset Ensemble, Museum of Contemporary Art of Monterrey, Mexico, 2022
Episode 3: Gordon Hall, This Thing We Call Art Podcast, 2021
On Closed Boxes, Dia Chelsea, 2021
Spatial Relations, Center for Maine Contemporary Art, 2022
Sash, editioned artwork with Printed Matter, 2021
Shifter Issue 25 | Waiting, 2021
10 Questions with... Interior Design Magazine, 2021
Invitation to Love, New York Choral Society, 2021
The Number of Inches Between Them, PEANA at ZONA Maco, Barragán Casa Ortega, Mexico City, 2021
END OF DAY, Hesse Flatow, New York, 2021
Circling the Square, Words from END OF DAY, Hesse Flatow, New York, 2021
LVL3 Artist of the Week, 2021
Other People's Houses, AIR Gallery / Walls Divide Press, 2021
Letters and Souvenirs, Gordon Hall & Elizabeth Atterbury, The Chart and DOCUMENT, 2021
Common Expression, Hesse Flatow, New York, 2021
Selected Sculpture and Performance, 2016–2020
WHAT HELD YOUR BODY?, billboard by For Freedoms, West Seneca, New York, 2020
Why I Don't Talk About 'The Body': A Polemic, Monday Journal, 2020
Visiting Artist Lecture, Boston University School of Visual Arts, 2020
Silent Water, Galeria Mascota, Mexico City, 2020
Artists and Writings: Deepening Dams, Hungry Coasts, organized by Living Content, Wendy's Subway, New York, 2020
Living Content: Gordon Hall, 2020
PUBLICS, Helsinki, 2020
Higher! Higher! Lower, Lower. Louder! Louder! Softer, Softer, Shimmer, Rotterdam, 2020
Gordon Hall at DOCUMENT, Brian Leahy, Artforum, 2019
Uselessness, DOCUMENT, Chicago, 2019
An Intimate Dance of Objects, Lucy Cotter, Mousse Magazine, 2019
Gordon Hall interviewed by Andrew Kachel, Out of Order Magazine, 2019
Slow Hand Movements Gentle Whispers Water Salt Tingles, Boers-Li Gallery, New York, 2019
Critique Conversations with Millie Kapp and Matt Shalzi, Critical Correspondence, 2019
THROUGH AND THROUGH AND THROUGH, PICA, 2019
OVER-BELIEFS: Gordon Hall Collected Writing 2011-2018, 2019
Slant Step Book, Verge Center for the Arts, 2019
Slant Step Forward, Verge Center for the Arts, 2019
Profile: Artsy, Eli Hill, 2019
The Number of Inches Between Them (book), 2019
Siobhan Liddell: Nobody's World, Gordon Robichaux, 2019
Orlando Tirado in Conversation with Gordon Hall, Critical Correspondence, 2018
Gordon Hall: MIT List Visual Arts Center, Dana Kopel, Flash Art, 2018
The Number of Inches Between Them, MIT List Visual Arts Center, Cambridge, MA, 2018
Among Things, Art in America, 2018
Address Not Found, curated digital collection, Library Stack, 2018
A Strong Desire, PS120, Berlin, 2018
This Is Not a Prop, David Zwirner, New York, 2018
Orange or Salmon, The Swiss Institute, New York, 2018
Artforum 500 Words, 2018
Friend of a Friend, DOCUMENT, Chicago, 2018
Noon - One, CANADA, New York, 2018
Between Being and Becoming, Jameson Paige, Newcity, 2018
Brothers and Sisters, The Renaissance Society, Chicago, 2018
Artist Profile, Socrates Sculpture Park, 2017
FOUR HANDS, Socrates Sculpture Park, New York, 2018
Details, Walls Divide Press, 2017
On Vulnerability and Heavy Objects, The Chart, 2017
The Number of Inches Between Them, Rockland, ME, 2017
Ball and Claw Feet Typical of Philadelphia, New York, Rhode Island, and Massachusetts, Abrons Art Center, 2017
U, in Mene Mene Tekel Parsin curated by Jesse Darling, Wysing Arts Centre, Cambridge, UK, 2017
PENCIL, COIN, KEYBOARD, DRINKING GLASS, HUMAN HAND OR FINGER, Situations, New York, 2017
A Doorknob on the Landscape, Kendall Buster: Dissembling Utopias, 2016
Reading Things, The Walker Art Center, 2016
Learning To Read Objects Like Letters, Meredith Sellers, Hyperallergic, 2016
Gordon Hall, AND PER SE AND, Jody Graf and Dana Kopel, The Brooklyn Rail, 2016
AND PER SE AND, Temple Contemporary, Philadelphia and Art in General, New York, 2016
Staging Professionalization, Mashinka Firunts, Performance Research, 2016
The Unset, Night Club, Frieze New York, 2016
A Useful Object / A Useless Object, posters, Vera List Center for Art and Politics, 2016
Commencement Address, Parsons School for Design, 2016
The Panel That Shall Not Be Named, Art Basel Miami, 2016
Holding The Room As An Aside, University of California, Berkeley, 2016
Selected Sculpture and Performance, 2008–2015
What About Power, SculptureCenter, 2015
Appearing Differently, David J. Getsy and William J. Simmons in Conversation, 2017
Party Friends, Platforms: Ten Years of Chances Dances, 2015
Counting Backwards from Three with Matt Morris and James Lee Byars, CAC, Cincinnati, 2015
Leaning, Carrying, Standing: Gordon Hall and the Politics of Form, Ethan Philbrick, PAJ, 2015
JUST NOTICEABLE DIFFERENCE, Whitney Museum of American Art, New York, 2015
WITH & WIDTH, Chapter, New York, 2015
Point of Contact, Hessel Museum, New York, 2015
Flight Pattern 1e: Gordon Hall, Maggie Ginestra, Temporary Art Review, 2014
STAND AND, Kent Fine Art, New York, 2014
New Space Education and How It Works, FLEX, Kent Fine Art, New York, 2014
Gordon Hall by Ian Wallace, Art In America, 2014
Gordon Hall Gives Platonic Love to a Stool, Blake Gopnik, Artnet, 2014
NEVER ODD OR EVEN, Foxy Production, New York, 2014
Crossing Brooklyn, Brooklyn Museum, 2014
MIDDLE DOUBLE, Night Club, Chicago, 2014
"Read me that part a-gain, where I disin-herit everybody", EMPAC, Troy, New York, 2014
Gordon Hall, Interview with Emily Zimmerman, BOMB, 2014
Is This for a Performance? Next Time Symposium Publicaticon, 2013
Experimenting With Fire, V Magazine, 2013
Object Lessons: Thinking Gender Variance through Minimalist Sculpture, 2013
SO FUTURE, conversation with Colin Self, Randy Magazine, 2013
Not One But Many Silences, Skowhegan School of Painting and Sculpture, Madison, ME, 2013
Making Messes for the Future, ONE National Gay & Lesbian Archives, Los Angeles, 2013
UP ON, SculptureCenter, New York, 2012
Due Diligence: Elizabeth Orr’s Work Ethic, Title Magazine, 2013
DIFFERENTIATION, Gallery 400, University of Illinois Chicago, 2012
DIFFERENTIATION, Movement Research Festival, New York, 2012
Posters by Mark Aguhar, 2012
Pull Up If I Pull Up, collaboration with Aay Preston-Myint, Happy Collaborationists, Chicago, 2012
The Observants, ACRE Projects, Chicago, 2011
Extremely Precise Objects of Ambiguous Use, School of the Art Institute of Chicago, 2011
The Observants, School of the Art Institute of Chicago, 2011
Proximity Is Not the Opposite of Distance: Merleau-Ponty and Artistic Production, SAIC, 2010
All For Nothing, Museum of Contemporary Art Chicago, 2010
Idle Behavior, Monsters and Dust, 2010
Dear Latham, Trust Me: Selected Works by Latham Zearfoss, 2010
Current and Upcoming
Exhibitions
Selected Sculpture and Performance
Writing and Interviews
Events
Center for Experimental Lectures
Research Images, 2011- present