Info
Work
JUST NOTICEABLE DIFFERENCE
Performance with two wood boxes, performance script
with Anne Truitt Triad (1977)
2015
Performers: Gordon Hall and Chris Domenick
Whitney Museum of American Art
Words sourced from:
Anne Truitt, Daybook The Journal of an Artist (1982), Edmund Husserl, The Real Nature of Perception and Its Transcendent Object in Ideas: General Introduction to Pure Phenomenology (1913), James Meyer, The Bicycle in Anne Truitt Perception and Reflection (2009), and Helen A Fielding, Multiple Moving Perceptions of the Real: Arendt, Merleau-Ponty, and Truitt (2011).
Part of the series 99 Objects.
Download performance script (.pdf)
Performance with two wood boxes, performance script
with Anne Truitt Triad (1977)
2015
Performers: Gordon Hall and Chris Domenick
Whitney Museum of American Art
Words sourced from:
Anne Truitt, Daybook The Journal of an Artist (1982), Edmund Husserl, The Real Nature of Perception and Its Transcendent Object in Ideas: General Introduction to Pure Phenomenology (1913), James Meyer, The Bicycle in Anne Truitt Perception and Reflection (2009), and Helen A Fielding, Multiple Moving Perceptions of the Real: Arendt, Merleau-Ponty, and Truitt (2011).
Part of the series 99 Objects.
Download performance script (.pdf)