GORDON HALL


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Work
    
    All

    Current and Upcoming

    Exhibitions

        All

Tone Trio, Dia Art Foundation at the Chelsea Recreation Center, May 4, 2024

Exhibit A, DOCUMENT, Chicago, 2024
Dialogues, Patron Gallery, Chicago, 2024
Lace Under Top Loop Once, Hua International, Berlin, 2023
FOUR_FOLD_UNDER, Art Basel 2023
       
Re: Scott Burton's Atrium Furnishment / Organized by Darling Green with Soft Network, Soft Network, NY, 2023
Atlas of Affinities: Vol. 2, Scores for Movement, Hua International, Beijing, 2023
[Voicings], group exhibition, Artspace, New Haven, 2023
Behind Abstract Forms, Fragment Gallery, New York, 2023
TURN BACK, DOCUMENT, Chicago, 2022
Stand Me Down, Istanbul, Turkey, 2022
DOCUMENT: Gordon Hall and Elizabeth Atterbury, Art Basel Miami Beach, 2022
Also your wound, Rosa, curated by Pelin Uran, Kurtulus, Greek Primary School, Istanbul, Turkey, 2022
Soft Machines, Hua International, Berlin, 2022
Cultivo, Marli Matsumoto Gallery, Sao Paulo, Brazil, 2022
El Ensamble del Ocaso / The Sunset Ensemble, Museum of Contemporary Art of Monterrey, Mexico, 2022
The Number of Inches Between Them, Casa Ortega Luis Barragán, Mexico City, 2021
END OF DAY, Hesse Flatow, New York, 2021
Circling the Square, Words from END OF DAY, Hesse Flatow, New York, 2021  
Silent Water, Galeri­a Mascota, Mexico City, 2020
PUBLICS, Helsinki, 2020
Higher! Higher! Lower, Lower. Louder! Louder! Softer, Softer, Shimmer, Rotterdam, 2020
Uselessness, DOCUMENT, Chicago, 2019
Slow Hand Movements Gentle Whispers Water Salt Tingles, Boers-Li Gallery, New York, 2019
THROUGH AND THROUGH AND THROUGH, Portland Institute for Contemporary Art, 2019
Slant Step Forward, Verge Center for the Arts, 2019
Siobhan Liddell: Nobody's World, Gordon Robichaux, New York, 2019  
The Number of Inches Between Them, MIT List Visual Arts Center, Cambridge, MA, 2018
A Strong Desire, PS120, Berlin, 2018
This Is Not a Prop, David Zwirner, New York, 2018

Friend of a Friend, DOCUMENT, Chicago, 2018
Noon - One, CANADA, New York, 2018
Brothers and Sisters, The Renaissance Society, Chicago, 2018
FOUR HANDS, Socrates Sculpture Park, New York, 2018
The Number of Inches Between Them, Rockland, ME, 2017
Ball and Claw Feet Typical of Philadelphia, New York, Rhode Island, and Massachusetts, Abrons Art Center, 2017
U, in Mene Mene Tekel Parsin curated by Jesse Darling, Wysing Arts Centre, Cambridge, UK, 2017
AND PER SE AND, Temple Contemporary, Philadelphia and Art in General, New York, 2016

The Unset, Night Club, Frieze New York, 2016
A Useful Object / A Useless Object, posters, Vera List Center for Art and Politics, 2016
Holding The Room As An Aside, University of California, Berkeley, 2016

JUST NOTICEABLE DIFFERENCE, Whitney Museum of American Art, New York, 2015
Point of Contact, Hessel Museum, New York, 2015
Witness Well, Gallery 400, University of Illinois Chicago, 2015

STAND AND, Kent Fine Art, New York, 2014

NEVER ODD OR EVEN, Foxy Production, New York, 2014
Crossing Brooklyn, Brooklyn Museum, 2014

"Read me that part a-gain, where I disin-herit everybody", EMPAC, Troy, New York, 2014
Not One But Many Silences, Skowhegan School of Painting and Sculpture, Madison, ME, 2013

UP ON, SculptureCenter, New York, 2012

DIFFERENTIATION, Gallery 400, University of Illinois Chicago, 2012
DIFFERENTIATION, Movement Research Festival, New York, 2012
The Observants, ACRE Projects, Chicago, 2011

The Observants, School of the Art Institute of Chicago, 2011
All For Nothing, Museum of Contemporary Art Chicago, 2010

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